The West Hollywood Book Fair is this Sunday, October 2nd, and a good number of comic book and graphic novel authors, artists, publishers and retailers are taking part. There are plenty of panels and events, which all include signings immediately after. Here’s a look at what’s happening:
The Comics, Graphic Novels & More Pavilion will have panels throughout the entire day. Good discussions will be held to examine how comics are attempting to diversify their readership, as well as the rise of graphic novel anthologies and young adult graphic novels. There will also be a look at comic book adaptations of the worlds of Jim Henson and a broader look at comics getting adapted to film and TV. The day is then capped off with a live podcast covering Superman’s impact on American and world culture.
11:00 am – 12:00 pm: Diversity in Comics panel. Former TokyoPop senior editor Lillian Diaz-Przybyl moderates; panelists: author/illustrator Leland Myrick (Feynman), manga editor/writer Troy Lewter (Priest, Cabin in the Woods), and writer Kimberly Komatsu (Womanthology, In America’s Shadow).
12:15 pm – 1:15 pm: The Rise of the Graphic Novel Anthology. Comedy writer Asterios Kokkinos moderates; panelists: Kazu Kibuishi (editor of Flight, Explorer), DJ Kirkbride (editor of Popgun), Nicole Sixx (contributor to Womanthology), and Michael Woods (editor of Outlaw Territory).
1:30 pm – 2:30 pm: The World of Young Adult Grapphic Novels. Lillian Diaz-Przybyl again moderates; panelists: author Cecil Castellucci (The Plain Janes), writer Deborah Vankin (Poseurs), and editor Barbara Randall Kesel (Vampire Kisses: Blood Relatives, Wicked Lovely: Desert Tales).
2:45 pm – 3:45 pm: Jim Henson and Comic Books: Putting Puppets to Paper. Writer/editor (and Henson specialist) Tim Beedle moderates; panelists: The Jim Henson Company‘s Director of Product Development Jim Formanek, writer Brian Holguin (Dark Crystal), consulting editor Joe LeFavi of Quixotic Transmedia (Fraggle Rock, The Storyteller, Return to Labyrinth), and writer Heather Nuhfer (Fraggle Rock).
4:00 pm – 5:00 pm: Comics to Screen & Back Again. Moderated by Sax Carr and Blair Marnell of Crave Online’s The Idiot Box podcast; panelists: writer/editor Len Wein (Swamp Thing, X-Men), executive story editor/writer Deric A. Hughes (Warehouse 13), and writer Sam Sarker of Johnny Depp’s production company Infinitum Nihil (The Vault).
5:00 pm – 6:00 pm: Inside the Comics Industry: Superman. A live broadcast of the Fandom Planet podcast hosted by comedians Tim Powers and Sax Carr; panelists: artist Jon Bogdanove (Superman: The Man of Steel), writer Elliot S! Maggin (Action Comics, Superman), and comics historian/cartoonist Scott Shaw! (Oddball Comics, Captain Carrot and His Amazing Zoo Crew)
The Current Events & Hot Topics Pavilion will also include some comics mixed into their “traditional” book discussions. Writer Joshua Dysart (Unknown Soldier) will be one of the panelists for The Way of the Gun: Fascination & Fear in Fact & Fiction, moderated by writer Gary Phillips (Cowboys). Other panelists include novelists Naomi Hirahara (Blood Hina: A Mas Arai Mystery) and Adam Winkler (Gunfight: The Battle over the Right to Bear Arms in America).
The Teen Stage has a live author interview with Cecil Castellucci (The Plain Janes, Janes in Love), conducted by blogger and book reviewer Chelsea Swiggett. The two will discuss Castellucci’s two graphic novels, as well as her popular young adult novels like Rose Sees Red.
Young Adult author Cecil Castellucci will also be exhibiting her collaborative narrative project Literary Diaspora at the Fair. She mails (yes, old fashion mails!) out words to visual artists and images to authors who then create something inspired by what they received. They then mail it back to her to add to the growing stories. So far comics artists Becky Cloonan, Joe Infurnari, Chip Zdarsky and others have participated. Cards returned so far will be displayed at the Fair, and visitors might even find a card in a books asking them to participate. Check out LiteraryDiaspora.com for more on the project.
Live Art with Billy Martinez – Indie comics creator Martinez will produce art at the Indie Comics Creators Booths all day long. Booth: C 19-22
How to Make Comic Books & Zines Workshop – The Indie Comics Creators Booths will hold workshops and tutorials all day long. Booth: C 19-22
Cecil Castellucci – The Plain Janes and Janes in Love graphic novels, as well as YA novels Boy Proof, The Queen of Cool and Beige. Official site.
Kazu Kibuishi - Amulet graphic novel series, Flight comics anthology. Official site.
Deborah Vankin – Poseurs graphic novel, LA Times staff writer. Twitter.
Archaia Entertainment – Publisher of graphic novels Mouse Guard, Return of the Dapper Men, Jim Henson projects like Fraggle Rock and The Dark Crystal, and much more. Booth: C 4-5
The Comic Bug – A great comic book store in Manhattan Beach. Booth: C 1-2
The Devastator – A quarterly comedy magazine with comics, funny writing and other wackiness run by editor-in-chief Geoffrey Golden (Cracked, National Lampoon). Booth: C 19-22, Table E
Eyedraugh Comics – Independent comics publisher located in Fontana. Booth: C 19-22, Table A
Neko Press Comics – Art studio, school and publisher run by La Mesa-based illustrator Billy Martinez, who will be producing live art all day long. Booth: C 19-22, Table H
OMGcow: A Comic Diary – An autobiographical web-comic by cartoonist Sheika Lugta of Long Beach. Booth: C 19-22, Table A
The WeHo Book Fair is happening this Sunday at the West Hollywood Library, which is itself having a grand opening the day before, and the neighboring West Hollywood Park, at N. San Vicente Blvd. at Melrose Blvd, this Sunday, 10 am – 6 pm.
All the news that’s fit to shove through internet tubes. Here’s the world of comic books and graphic novels in LA and beyond over the last week or so, with some commentary:
= Rebranded Eagle Rock comic store Comics vs. Toys gets profiled on how it came into existence. Answer: From the ashes of two neighboring Eagle Rock comic stores Another World Comics and Mini-Melt Too. In a time when stores are closing and people in less populated areas are lucky if they have a store within a 3-hour drive, it’s amazing to think that two stores existed side by side for a year. I shopped at this store for maybe a year when it was still the Meltdown Comics satellite shop Mini-Melt Too, after Another World Comics had already closed, and really appreciated co-owner Ace Aguilera going out of his way to get me the comics I liked, which can skew off the beaten path at times. It’s one of those small but great stores that LA is lucky to have in abundance. Read it: Eagle Rock Patch
= And speaking of stores closing, the LA Weekly looks at the slow death of the Borders in Westwood. The Borders company will give severance pay, but hasn’t told the store employees their last day. Apparently it will be when the store has been picked clean at severely discounted prices. Read it: LA Weekly
= Two 24-year-old Los Angeles men, Farhad Lame and Navid Vatankhahan, each have to pay $750, complete 10 days of community service (picking up trash), and remain on probation for 3 years for selling fraudulent passes to this past summer’s Comic-Con International: San Diego comic book and pop culture convention. They pleaded guilty to misdemeanor charges in San Diego Superior Court. They had sold a pair of 2-day passes to 2 women for $120 each on Craigslist. The passes ended up being photocopies of exhibitor badges, so naturally the women weren’t allowed in. Both men were arrested on the last day of Comic-Con. Read it: Sign On San Diego
= For you creative types, comics lettering and calligraphy innovators Comicraft, based right here in Los Angeles, had their annual New Year’s Day Sale, and “secretly” extended it through the holiday weekend. Maybe it’s still happening when you visit. See it: ComicBookFonts.com
= Comics Alliance wrapped up their Digital December, a month long look at the state of digital comics with excellent interviews with nearly every major player and articles by David Brothers and Laura Hudson: Read the rest of this entry
Today, we look at comics publisher Archaia Comics. Originally set up as a banner for the self-publishing efforts of writer/artist Mark Smylie and his high fantasy series Artesia, it expanded into a full on publisher in the middle of this past decade, launching the anthropomorphic fantasy series Mouse Guard by David Petersen to much acclaim. More comics were announced until the young publisher seemed to become overwhelmed by its own plans, almost completely grinding production to a halt. It appeared as if Archaia was going to be another in a long line of comics publishers who have abruptly vanished. Then came news of the acquisition of Archaia by Chicago-based media company Kunoichi. For a time this didn’t seem to change anything, but then Archaia came back. In the past year, they have firmly landed on solid ground and proved themselves to be a dependable publisher of quality comics and graphic novels, with an eye to innovation in the digital comics space. Read the rest of this entry
My post on Monday about innovative experiments with digital comics doesn’t mean I don’t love me some dead tree comics. Print still has a lot to offer but digital means that the physical version has to step it up and offer more. Fortunately there are some good examples out there.
As a counter-point to the Johnny Cash digital graphic novel with soundtrack, there is BB Wolf and the Three L.P.’s by JD Arnold and Richard Koslowski from Top Shelf Productions. It can be purchased with a 7-song CD, BB Wolf and the Howlers: The Lost Recordings. The graphic novel spins 1920s race tension with the Three Little Pigs fairy tale. The CD brings the music of the titular blues singing main character to life, which is a very cool way to eliminate the guess work of what the music of a fictional character from a silent medium sounds like. You can also get the limited edition BB Wolf Box Set, which includes the graphic novel, the CD and a wooden box with laser engraved art on the cover and 2 shot glasses for that authentic hard-drinking blues effect.
Creating such an experience that goes beyond the pages is a compelling way to make it still matter to have print and physical product. But it doesn’t have to be about creating ancillary material. Savvy creators and publishers can find ways to have their published material be an aesthetic extension of the world they have created.
Fantagraphics Books has always excelled at this. C. Tyler‘s You’ll Never Know, both Book I: A Good and Decent Man and the new release Book II: Collateral Damage, are designed to look like scrap books or photo albums, inside and out. A visually powerful choice that is incredibly appropriate since the story centers on a woman trying to piece together her reticent father’s wartime past.
Last year, DC Comics published Wednesday Comics, an anthology of superhero and adventure stories printed on large broadsheet newsprint that folded out to 14″ x 20″ pages, approximately double the size of modern comic book pages. Reminiscent of the old Sunday comics pages from the first half of the 1900′s, it was a kick to see Green Lantern, Batman, Wonder Woman and other characters in this retro format that pre-dated nearly all of them.
There are a lot of other good examples. Some publishers, like Archaia Entertainment and Drawn & Quarterly, just have consistently great design sense in their print publications. Tumor, by Joshua Hale Fialkov and Noel Tuazon, started its life as a digital graphic novel on the Amazon Kindle, but has ended up being a great looking physical product. Chris Ware’s Acme Novelty Library books (and really any of his books) are always intricately stunning.
So sure, digital comics are the future. But that doesn’t automatically mean print comics have to be relegated to the past. There are still new and creative ways to make an appealing print comic book or graphic novel. As the ratio of print to digital finds its level ground, it will be up to creators and publishers to make products in both realms that are compelling and worth a reader’s investment.