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LA Times Book Prize Finalist Spotlight: Celluloid by Dave McKean
The Los Angeles Times Book Prizes are a set of awards for excellence in literature held annually since 1980. They are given to books published in the United States within the previous calendar year by a living author(s). Winners receive a citation and $500 for each category. The finalists for each category were announced recently, and the Graphic Novel category, the newest to be added to the prestigious prizes, has an impressive line-up. The Comics Observer looks at each Graphic Novel finalist in the build-up to the award ceremony April 20.
Dave McKean‘s wordless erotic graphic novel Celluloid is an unexpected choice as one of the finalists for this year’s LA Times Book Prize. It uses mixed media and a variety of art styles to depict a sensual and increasingly dream-like and abstract series of sexual encounters by a woman who discovers a mysterious film projector that transports her into another world.
Despite the fantastical angle and artistic prowess of McKean, it is a book with no words and lots of nudity and sex. Perhaps not the ideal poster child for literacy in comics. Despite that simplistic and prudish summary, its artistry elevates it to another level, and that artistry has not gone unnoticed. Paste Magazine named it the fifth best comic of 2011, describing it as a “coital masterwork that elicits beauty and excitement in equal measure” and a “treasure of technical finesse and sensual mystique that transcends its potential controversy”.
It helps that Dave McKean is an award-winning artist known for pushing visual boundaries by depicting the dark and bizarre with more than just a pencil and paper. He has been known to include photography, paintings, sculptures and more to capture his unique visions. He is perhaps most well known for his eerie covers of Neil Gaiman’s The Sandman and directing the feature film MirrorMask. He also wrote and illustrated the massive award-winning graphic novel Cages.
Will all of that acclaim and the stunning execution of the book itself be enough for the LA Times Book Prize judges to select erotica for the graphic novel of 2011?

The LA Times Festival of Books