Wednesday is New Comics Day! Each week, The Comics Observer spotlights three brand new releases worth checking out that should be suitable for someone who has never read comic books, graphic novels or manga before.
These are out today! If you like what you see here, click the links to see previews and learn more about them. Then head to your local comic book store, or check out online retailers like Things From Another World and Amazon. Let us know what you think in the comments below or on Facebook.
(Disclaimer: These aren’t reviews. Recommendations are based on pre-release press, previews, and The Comics Observer‘s patented crystal ball. Product descriptions provided by publisher.)
Written and illustrated by Chris Ware
Published by Pantheon Books
Building Stories follows the inhabitants of a three-flat Chicago apartment house: a 30-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple (possibly married) who wonder if they can bear each other’s company for another minute; and finally, an elderly woman who never married and is the building’s landlady.
The scope, the ambition, the artistry and emotional heft of this project are beyond anything we have yet seen from this artist or in this medium.
Includes everything you need to read the new graphic novel Building Stories: 14 distinctively discrete Books, Booklets, Magazines, Newspapers, and Pamphlets.
With the increasing electronic incorporeality of existence, sometimes it’s reassuring — perhaps even necessary — to have something to hold on to. Thus within this colorful keepsake box the purchaser will find a fully-apportioned variety of reading material ready to address virtually any imaginable artistic or poetic taste, from the corrosive sarcasm of youth to the sickening earnestness of maturity — while discovering a protagonist wondering if she’ll ever move from the rented close quarters of lonely young adulthood to the mortgaged expanse of love and marriage. Whether you’re feeling alone by yourself or alone with someone else, this book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed which afflict the middle- and upper-class literary public (and which can return to them in somewhat damaged form during REM sleep).
A pictographic listing of all 14 items (260 pages total) appears on the back, with suggestions made as to appropriate places to set down, forget or completely lose any number of its contents within the walls of an average well-appointed home. As seen in the pages of The New Yorker, The New York Times and McSweeney’s Quarterly Concern, Building Stories collects a decade’s worth of work, with dozens of “never-before published” pages (i.e., those deemed too obtuse, filthy or just plain incoherent to offer to a respectable periodical).
From New York Times bestselling writer Brian K. Vaughan (Y: The Last Man, Ex Machina) and critically acclaimed artist Fiona Staples (Mystery Society, North 40), Saga is the sweeping tale of one young family fighting to find their place in the worlds.
When two soldiers from opposite sides of a never-ending galactic war fall in love, they risk everything to bring a fragile new life into a dangerous old universe. Fantasy and science fiction are wed like never before in a sexy, subversive drama for adults.
This specially priced volume collects the first arc of the smash hit series The Onion A.V. Club calls “The emotional epic Hollywood wishes it could make.”
Dylan Edwards’ Transposes separates gender from sexuality and illustrates six fascinating true stories of transgender men who also happen to be queer. The result is laugh-out-loud funny, heartbreaking, challenging, inventive, informative, and invites the reader to explore what truly makes a man a man.
Includes a foreword by New York Times bestselling author Alison Bechdel (Fun Home, Are You My Mother?)
Over the last decade, colleges and universities have been exploring a deeper appreciation and understanding of comic books than ever before. This kind of attention in educational circles is a crucial and valuable element in a higher level of acceptance of sequential art (comics, graphic novels, manga, etc.) as a rich form of communication and entertainment beyond just “Yeah I guess comics are cool ’cause I liked that Avengers movie”. Just as college students take film appreciation, art history, and literature classes, so to should they be able to take equally in depth classes on the value of the comics form. That is happening more and more, and one art and design school is taking it to the next level with a three-day comics symposium.
The Columbus College of Art and Design will hold their inaugural Mix 2012 comics symposium October 4-6, 2012. Robert Loss, programming chair for Mix and adjunct instructor for CCAD’s English Department, has sent out a call for proposals, papers, roundtables, and workshops with
a June 4 deadline an extended July 6th deadline. According to Loss:
“By bringing together artists, academics and other professionals and students interested in the comics art form, we hope to encourage substantial and lively discussion in a way uncommon to most academic and comics conferences. Panels and roundtables will feature a diversity of participants, and will be presented for an audience that is equally diverse and will include a sizable student population. We’re looking for people interested in reaching across boundaries and engaging in interdisciplinary conversations.”
Renowned cartoonist Chris Ware, who is best known for the award-winning graphic novel Jimmy Corrigan, the Smartest Kid on Earth and his comic book series Acme Novelty Library, will be the event’s keynote speaker. And what’s particularly refreshing is that the symposium’s theme of epic narrative sounds like it’s going to be all about superheroes. But from the programming information released so far, while that genre won’t be ignored, they seem to realize there’s much more to comics than that.
An official website for the Mix 2012 symposium will soon follow. In the meantime, click through for more details:
One of my favorite regular columns is the monthly Comics College by Chris Mautner at Robot 6, hosted by Comic Book Resources. Each entry is a great introductory overview of what’s best to read from the great comic book masters and why they are so good, making this a fantastic source for newcomers or people who’ve always wanted to expand their reading. It also covers their lesser known work and stuff that maybe should be avoided.
The great part of the column is that it is looking at masters from all over the art form of comics. It’s not just superhero creators, or just alternative comics creators. It’s both those, as well as manga, newspaper strips, underground comics, euro-comics, comics journalism and more.
This month’s subject is the Norwegian cartoonist simply known as Jason. This prolific creator tells funny genre mash-ups with a deadpan economy of dialogue and understated emotion with characters struggling over love and guilt. Next month, George Herriman will be featured. His classic comic strip Krazy Kat is among the most highly regarded in the history of comics.
The Comics College column debuted in August 2009 and has covered the following comics masters past and present (click on the link to be taken to the column):
- Los Bros. Hernandez (Love and Rockets)
- Jack Kirby (The Fantastic Four, Jack Kirby’s Fourth World)
- Osamu Tezuka (Astro Boy, Phoenix)
- R. Crumb (Zap Comix, Book of Genesis)
- Neil Gaiman (Sandman, Mr. Punch)
- Chris Ware (Jimmy Corrigan: The Smartest Kid on Earth, Acme Novelty Library)
- Lewis Trondheim (Dungeon, Little Nothings)
- Harvey Kurtzman (Mad Magazine, Frontline Combat)
- art spiegelman (Maus, In the Shadow of No Towers)
- Eddie Campbell (Alec: The Years Have Pants, The Fate of the Artist)
- Harvey Pekar (American Splendor, Our Cancer Year)
- Kim Deitch (The Boulevard of Broken Dreams, Shadowland)
- Kevin Huizenga (Ganges, Curses)
- Hergé (Tintin)
- Charles M. Schulz (Peanuts)
- John Stanley (Little Lulu, Melvin Monster)
- Seth (George Sprott: 1894-1975, Wimbledon Green, It’s A Good Life If You Don’t Weaken)
- Frank Miller (The Dark Knight Returns, Sin City)
- Joe Sacco (Safe Area Gorazde, Palestine)
- Jason (I Killed Adolf Hitler, Hey Wait…)
- George Herriman (Krazy Kat)
- Jack Cole (Plastic Man, Betsy and Me)
- Adrian Tomine (Summer Blonde, Scenes from an Impending Marriage)
- Grant Morrison (All-Star Superman, We3)
- Jessica Abel (La Perdida, Artbabe)
- Gabrielle Bell (Cecil and Jordan in New York, Lucky)
- Scott McCloud (Understanding Comics, Zot!)
- Charles Burns (Black Hole, Big Baby, X’ed Out)
- Jacques Tardi (It Was the War of the Trenches, West Coast Blues)
- Phoebe Gloeckner (A Child’s Life, The Diary of a Teenage Girl)
- Marjane Satrapi (Persepolis, Chicken with Plums)
- David B (Epileptic, Babel)
UPDATE: I’ll keep updating the list as new entries get posted.
My post on Monday about innovative experiments with digital comics doesn’t mean I don’t love me some dead tree comics. Print still has a lot to offer but digital means that the physical version has to step it up and offer more. Fortunately there are some good examples out there.
As a counter-point to the Johnny Cash digital graphic novel with soundtrack, there is BB Wolf and the Three L.P.’s by JD Arnold and Richard Koslowski from Top Shelf Productions. It can be purchased with a 7-song CD, BB Wolf and the Howlers: The Lost Recordings. The graphic novel spins 1920s race tension with the Three Little Pigs fairy tale. The CD brings the music of the titular blues singing main character to life, which is a very cool way to eliminate the guess work of what the music of a fictional character from a silent medium sounds like. You can also get the limited edition BB Wolf Box Set, which includes the graphic novel, the CD and a wooden box with laser engraved art on the cover and 2 shot glasses for that authentic hard-drinking blues effect.
Creating such an experience that goes beyond the pages is a compelling way to make it still matter to have print and physical product. But it doesn’t have to be about creating ancillary material. Savvy creators and publishers can find ways to have their published material be an aesthetic extension of the world they have created.
Fantagraphics Books has always excelled at this. C. Tyler‘s You’ll Never Know, both Book I: A Good and Decent Man and the new release Book II: Collateral Damage, are designed to look like scrap books or photo albums, inside and out. A visually powerful choice that is incredibly appropriate since the story centers on a woman trying to piece together her reticent father’s wartime past.
Last year, DC Comics published Wednesday Comics, an anthology of superhero and adventure stories printed on large broadsheet newsprint that folded out to 14″ x 20″ pages, approximately double the size of modern comic book pages. Reminiscent of the old Sunday comics pages from the first half of the 1900′s, it was a kick to see Green Lantern, Batman, Wonder Woman and other characters in this retro format that pre-dated nearly all of them.
There are a lot of other good examples. Some publishers, like Archaia Entertainment and Drawn & Quarterly, just have consistently great design sense in their print publications. Tumor, by Joshua Hale Fialkov and Noel Tuazon, started its life as a digital graphic novel on the Amazon Kindle, but has ended up being a great looking physical product. Chris Ware’s Acme Novelty Library books (and really any of his books) are always intricately stunning.
So sure, digital comics are the future. But that doesn’t automatically mean print comics have to be relegated to the past. There are still new and creative ways to make an appealing print comic book or graphic novel. As the ratio of print to digital finds its level ground, it will be up to creators and publishers to make products in both realms that are compelling and worth a reader’s investment.
Never read a graphic novel before? Haven’t read a comic book in years?
Here’s some brand new stuff that came out the week of September 30 that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.
Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.
The first and only illustrated biography of “The Man in Black”, Johnny Cash, the most famous country singer of all time.
Cash was a 17-time Grammy winner who sold more than 90 million albums in his lifetime and became an icon of American music in the 20th century. Graphic novelist Reinhard Kleist depicts Johnny Cash’s eventful life from his early sessions with Elvis Presley (1956), through the concert in Folsom Prison (1968), his spectacular comeback in the 1990s, and the final years before his death on September 12, 2003.
The author’s site has a preview (although the final lettering is missing). I love that image of Cash in the recording studio.
The innovative, dramatic graphic novel based on the life of the philosopher and mathematician Bertrand Russell.
This brilliantly illustrated tale of reason, insanity, love and truth recounts the story of Bertrand Russell’s life. Raised by his paternal grandparents, young Russell was never told the whereabouts of his parents. Driven by a desire for knowledge of his own history, he attempted to force the world to yield to his yearnings: for truth, clarity and resolve.
As he grew older, and increasingly sophisticated as a philosopher and mathematician, Russell strove to create an objective language with which to describe the world – one free of the biases and slippages of the written word. At the same time, he began courting his first wife, teasing her with riddles and leaning on her during the darker days, when his quest was bogged down by paradoxes, frustrations and the ghosts of his family’s secrets. Ultimately, he found considerable success – but his career was stalled when he was outmatched by an intellectual rival: his young, strident, brilliantly original student, Ludwig Wittgenstein.
An insightful and complexly layered narrative, Logicomix reveals both Russell’s inner struggle and the quest for the foundations of logic. Narration by an older, wiser Russell, as well as asides from the author himself, make sense of the story’s heady and powerful ideas. At its heart, Logicomix is a story about the conflict between pure reason and the persistent flaws of reality, a narrative populated by great and august thinkers, young lovers, ghosts and insanity.
The Amazon.com link above has previews and the Bloomsbury link above has three-part making-of video series on YouTube, but there’s also an excellent website at Logicomix.com with behind-the-scenes info, a preview trailer and lots of other info. This debuted at #1 on the New York Times Best Seller List and is getting excellent reviews.
Mickey Mouse & Friends #296 – $2.99
By Stefano Ambrosio & Lorenzo Pastrovicchio
32 pages; published by Boom! Kids
First BOOM! Kids issue! One of the longest-lived, most-successful comic book series in the industry’s history comes to BOOM! and brings a little magic — presenting Wizards of Mickey! Student of the great wizard Grandalf, Mickey Mouse hails from the humble village of Miceland. Allying himself with Donald Duck (who has a pet dragon named Fafnir) and team mate Goofy, Mickey’s come to the great tournament to get his revenge on Peg Leg Pete, who has stolen the Rain Crystal from Miceland! Join Mickey Mouse and his friends on an epic tale of magic and wonder! Join BOOM! Kids for a whole new epoch in Disney publishing!
Disney comic books have been missing from the market place for about a year now. This is an imported story, which has been a pretty standard practice for previous publishers of Disney comics. It was originally done in Italy but from the looks of this preview, the translation holds up pretty nicely.
The first winner of Zuda Comics’ monthly online competition, HIGH MOON is a horror adventure of cowboys and werewolves in the Old West. HIGH MOON begins with a gruff bounty hunter, Matthew Macgregor, investigating a series of strange happenings in the dusty town of Blest, Texas. While Macgregor seeks to uncover the town’s dark secrets, he tries desperately to keep his own hidden.
The horrors of Blest ripple out to the mountainous town of Ragged Rock, Oklahoma, where another detective investigates a series of murders following a bizarre train robbery. Uncovering an age-old vendetta, this mysterious lawman is forced to do battle with a steam-driven monstrosity.
Macgregor’s tale concludes as a young woman’s dire call for assistance leads him through the Black Hills of South Dakota and into devastating battle between two warring factions. Macgregor must face down the United States government – only to discover a secret ritual that spells the destruction of the American frontier.
It’s such a relief when someone you personally know releases something, and you can be genuinely complimentary of what they’ve produced. While David Gallaher and I have “virtually” known each other for years, I’m happy to say that his web-comic holds up nicely as a thrilling horror/western mash-up. You can read it for yourself right here. And then there’s this production blog for good behind-the-scenes goodies.
A crime fighter is genetically engineered to be a super-hero – but when the test goes awry and he doesn’t have the super-hero qualities needed, he has to be teamed up with a former CIA agent who is the brains behind the duo. One gets all the glory while one has all the power.
I’ve always thought that it was a bit weird that every super-hero just instantly has what it takes, mentally and emotionally, to actually be a superhero. I guess I’m not alone. Probably not one for the kiddies.
The Dynamite link above has a 9-page preview so you have a better idea of just what you’re getting into by entering one of Howard Chaykin’s worlds.
Prison Pit is an original graphic novel from the pen of Johnny Ryan, best known for his humor comic, Angry Youth Comix. Prison Pit represents a marked departure from AYC or his Blecky Yuckerella weekly comic strip, combining his love for WWE wrestling, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal showcase of violence, survival and revenge. Imagine a blend of old-fashioned role playing fantasy games like Dungeons & Dragons crossed with contemporary adult video games like Grand Theft Auto, filtered through Ryan’s sense of humor.
The book begins with C.F. (his full-name would be too horrifying to reveal here) being thrown into the Prison Pit, a barren negative-zone populated by intergalactic, violent monster criminals. In this first volume, C.F. gets into a bloody slorge war (a slorge is a giant slug that excretes a steroid-like drug called “fecid” that all the monster men are addicted to) with ultraprisoner Rottweiler Herpes and his henchmen Rabies Bloodbath and Assrat. The ensuing bloodbath is an over-the-top, hyperviolent yet hilarious farce worthy of Ryan’s inspiration, Kentaro Miura.
If Howard Chaykin is too much for you, you’ll never be able to handle Johnny Ryan, who is maniacally funny in the absurdly over-the-top violence. Here’s a PDF file preview.
The world is dying. After most of the city succumbed to the plague, Welton’s staying inside — permanently. But hiding in his claustrophobic basement room — the only place he knows is safe — exacts a gruesome price, and he becomes part of a collective that’s killing children. Infected with the plague himself, with no way to find the woman he loves, Welton takes refuge in apathy — until someone knocks on his door.
Ball Peen Hammer gives us a window into life in a half-deserted apartment building in a time of raw love, sacrifice, fear, and death.
This one is a bit more serious but also not for the weak at heart. Here’s a 13-page preview.
Fathers, sons, and the war that comes between them.
There’s nothing Josh, Cody, and Gordon want more than their fathers home safely from the war in Iraq — unless it’s to get out of their dead-end town. Refresh, Refresh is the story of three teenagers on the cusp of high school graduation and their struggle to make hard decisions with no role models to follow; to discover the possibilities for the future when all the doors are slamming in their faces; and to believe their fathers will come home alive so they can be boys again.
The above says enough to get me hooked. But for more, here’s an 11-page preview.
Trotsky was a hero to some, a ruthless demon to others. To Stalin, he was such a threat that he warranted murder by pickax. This polarizing figure set up a world conflict that lasted through the twentieth century, and in Trotsky: A Graphic Biography, the renowned comic artist Rick Geary uses his distinct style to depict the stark reality of the man and his times. Trotsky’s life becomes a guide to the creation of the Soviet Union, the horrors of World War I, and the establishment of international communism as he, Lenin, and their fellow Bolsheviks rise from persecution and a life underground to the height of political power. Ranging from his boyhood in the Ukraine to his fallout with Stalin and his moonlight romance with Frida Kahlo, Trotsky is a stunning look at one of the twentieth century’s most important thinkers and the far-reaching political trends that he launched.
Rick Geary does excellent work. Unfortunately I can’t find a preview but just imagine looking at something really impressive that compels you to buy it.
Now in its fourth year, Best American Comics showcases the work of both established and up-and-coming contributers. Editor Charles Burns—cartoonist, illustrator, and official cover artist of the Believer—has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the web to create this cutting-edge collection. Featuring the work of such luminaries as Chris Ware, KAZ, and Robert Crumb, this volume is “a genuine salute to comics” (Houston Chronicle).
This is a highly acclaimed yearly anthology that provides a great sampling of the depth and art of comics. Here’s the book’s official site which has more information.
From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before.
Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.
Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.”
As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses.
A surprisingly reverential and straight adaptation from one of comics’ most influential humorists. Here’s a preview of chapter 19.
Pretty big week for comics. Lots of good stuff to check out.