The 2011 Will Eisner Comic Industry Awards released their nominees for excellence in comic books for the previous year last Friday. A panel of 6 judges made up of professionals throughout the industry selected the nominees. People throughout the industry will now begin voting on the nominees. Winners will be announced at the award show put on at this summer’s huge Comic-Con International convention in San Diego. The Eisners are basically the comic book equivalent of the film industry’s Academy Awards, TV’s Emmy Awards, music’s Grammy Awards, and theater’s Tony Awards, so it deserves a closer look.

Over the coming weeks, I’ll be breaking down the nominees in each category, providing context and background info, and I’ll also give you a link to Amazon and other sites so you can buy your own copy, if possible. I can’t read everything, so lots of this stuff passed by me or is on my way-too-high to-read pile, so I’m going to avoid saying what “should” win. (I’m also pretty bad at predicting award show winners, so I’m not going to bother embarrassing myself.) Please feel free to post your predictions, preferences, opinions, or questions.

Today we’re taking a look at the nominees for the Best Short Story category, kind of the equivalent of the Oscar for Best Short Film.

Best Short Story

• “Bart on the Fourth of July,” by Peter Kuper, in Bart Simpson #54 (Bongo)
• “Batman, in Trick for the Scarecrow,” by Billy Tucci, in DCU Halloween Special 2010 (DC)
• “Cinderella,” by Nick Spencer and Rodin Esquejo, in Fractured Fables (Silverline Books/Image)
• “Hamburgers for One,” by Frank Stockton, in Popgun vol. 4 (Image)
• “Little Red Riding Hood,” by Bryan Talbot and Camilla d’Errico, in Fractured Fables (Silverline Books/Image)
• “Post Mortem,” by Greg Rucka and Michael Lark, in I Am an Avenger #2 (Marvel)

Take a closer look with the click through: Read the rest of this entry →