Columnist Wayne Rée shares his discovery of comic books, from his start as a super-hero fan to his evolution into a believer of the power of the art form of comics.
I love going to the movies. Always have. I’m not a scholar of fine cinema or revolutionary filmmaking. I know a thing or two, sure, but at the end of the day, I just like catching a flick with friends and having a good time.
Iron Man 3’s opening in just a few weeks, so it seemed only right to talk a little about that love for moviegoing. After all, my journey, man, wouldn’t be complete if I didn’t talk about comic films – specifically superhero films, for two reasons.
Comic films in general means a pretty broad list to cover. We’re talking everything from Ghost World to Dredd here. But superhero films? That’s a more specific subset. And, more importantly, there’s an emotional connection I have with superhero films that goes deeper than other comic films.
“Where does he get those wonderful toys?”
That connection started when I was a kid, naturally. Anyone from my generation will tell you that the ’80s were a golden age for genre films. If you were a fantasy fan, you had Princess Bride. If you loved sci-fi, you had Blade Runner. And if you loved superheroes, you had Tim Burton’s Batman.
Yeah, I’d seen Richard Donner’s Superman, but Batman? Hoo boy. That was a different ball game altogether. And for the next half of a decade, the Batman films were the standard by which superhero flicks were measured. Hell, I can still unapologetically dig Batman Forever. Of course, to be fair, there were all that many superhero films out there anyway. Which is why, when Batman & Robin came out, I was devastated.
It was disappointing, simply because it seemed like this marriage of two of my favourite things was coming to an end. You got to understand: This was a film so bad that George Clooney eventually apologised for it and Joel Schumacher (the man who helmed easily one of my favourite vampire flicks of all time) practically faded from the spotlight.
As far as I was concerned, that was it for superhero movies. And then Wesley Snipes came along.
“I was born ready, mother—”
I’ve pointed out before that I’ve always been a Marvel guy. So, when Blade hit the big screen, you’d think I was ecstatic. But I wasn’t. Well, not initially. At first, I just couldn’t believe that the character that Wesley Snipes so perfectly brought to the screen was the same dude with the goofy 70s shades from the comics.
But it was, and after I got over that disbelief, I was all in, baby. I mean, come on. It was a Marvel character, no matter how obscure, that was translated into a genuinely kick-ass film.
The best thing about Blade, however, wasn’t just that it was an awesome film; it was a precursor to even more superhero films. Which made me happy as can be… for a little while anyway. That marriage of my loves was back, sure, but it was a marriage that was riddled with problems.
Quantity and quality
A glut of superhero films was released in the decade or so after Blade. But for every X-Men 2, there was an Elektra. Sure, I was glad to have these larger-than-life characters back on screen, but was the excitement of seeing Spidey swing through New York worth the awkward scripts that came along with Raimi’s web-slinging trilogy?
Pretty soon, I’d kind of had it. It actually felt worse than the this-is-over sensation that came with Batman & Robin. If we’re going to use the matrimonial analogy again, it became a loveless marriage. It just wasn’t exciting anymore.
What it needed was a second honeymoon. (I’ve totally lost control of this analogy, haven’t I?)
The Dark Knight Returns
And lo and behold, just like in the ’80s, Batman heralded a new era of superhero films with the aptly named Batman Begins. But they were different this time. It seemed like the one good thing that came out of that glut was that studios were learning that they couldn’t get away with releasing substandard films for our favourite colourful characters.
Christopher Nolan, Jon Favreau, Kenneth Branagh, and eventually Joss Whedon were names that were starting to get attached to these movies. Directors that carried weight, not just with your average moviegoer, but with us nerds and geeks too. Sure, we had Green Lantern, but crappy superhero films were comparatively fewer and farther between.
The new golden age
Last year, when I sat and watched Avengers for the first time, I swear to you, I was nearly moved to tears. Hell, I still get a little misty-eyed every time I hear Alan Silverstri’s theme from the show. Can you blame me though? For the first time since Burton’s Batman, I’m looking forward to watching superhero films regularly again.
Y’know… just catching a flick with friends and having a good time
Wayne Rée’s been writing professionally for about ten years. He’s worked in everything from advertising to publishing, and was even part of the team that created Singapore’s very first tattoo magazine. He dabbles in screenwriting and photography, travels way too much, and is currently putting together his very first short story collection. He blogs about his upcoming book, storytelling and other things at http://waynereewrites.com.
A California Raisin tells me Marvel Studios is expanding. A state-of-the-art Marvel Animation studio is currently under construction in Glendale, California. Employees will apparently work in the neighboring city of Burbank, possibly at the Walt Disney Animation Studios, until construction of the Glendale facility completes.
Marvel Animation is part of Marvel Studios, the film and TV production company of Marvel Entertainment, which obviously grew out of Marvel Comics. Located on the other side of Los Angeles in Manhattan Beach, Marvel Studios is behind the successful Iron Man, Thor and Captain America: The First Avenger movies. The recently-created Marvel TV division is run by Jeph Loeb (producer on Lost, Heroes), and has authority over Marvel Animation. And of course the entire Marvel structure is owned by Disney.
Marvel Animation was formed in 2008 and has put out direct-to-DVD animated features such as Planet Hulk and Thor: Tales of Asgard (concluding their 8-film partnership with Lionsgate), animated TV series like The Super Hero Squad Show on Cartoon Network and Avengers: Earth’s Mightiest Heroes on Disney XD, animated comics (souped up motion comics) such as Thor & Loki: Blood Brothers under the Marvel Knights Animation banner, and the Marvel Anime project from Japan.
Known future plans at Marvel Animation are somewhat limited. There’s the Ultimate Spider-Man show, based on the comic of the same name, debuting next year, and a Hulk cartoon in development, both for Disney XD. Whatever else is in the pipeline, it appears they intend to increase production capabilities on the animation side.
Do you have any tips for the grapevine? Email me.
Well the big summer blockbusters are all done. But that doesn’t mean comic books are done invading pop culture entertainment. I always think the source material is better, but checking out comic book adaptations, whether TV or film, can be a good way of sampling. Here’s what’s coming down the pike for the rest of 2011:
Piled Higher and Deeper: The PhD Movie – Live action comedy about graduate college.
- Schedule: Screenings at international colleges and universities including the official premiere at the California Institute of Technology in Pasadena on Thursday, September 22 at 8 PM.
- Based on the popular webcomic PhD: Piled Higher and Deeper by Jorge Cham. Running since 1997, Cham’s comic strip is also published in several college newspapers and has been reprinted in four print collections. (Thanks to Comics Alliance)
The Walking Dead Season 2 – Live action horror TV series about a small group of survivors of a zombie apocalypse.
- Schedule: 13 episodes starting Sunday, October 16 at 9 PM Eastern on AMC.
- Based on The Walking Dead comic books and graphic novels by Robert Kirkman and Charlie Adlard, published by Image Comics and Skybound Entertainment. This season appears to roughly borrow from The Walking Dead Volume 2: Miles Behind Us.
Batman: Year One – Animated feature-length movie about the noir-ish retelling of the early days of Bruce Wayne’s superhero career.
- Schedule: Released on DVD, Blu-ray and for download on Tuesday, October 18.
- Based on one of the seminal DC Comics graphic novels, Batman: Year One by writer Frank Miller and artist David Mazzucchelli. The story was originally published in Batman comic books in 1987.
X-Men Anime Series – Animated TV series imported from Japan featuring the mutant superheroes Cyclops, Wolverine and others fighting for a world that fears and hates them.
- Schedule: 12 episodes starting Friday, October 21 at 11 PM Eastern on G4.
- Based on various X-Men comic books and graphic novels published by Marvel Comics over the years but specifically narrowing in on New X-Men by writer Grant Morrison and various artists, as well as Astonishing X-Men by writer Joss Whedon and artist John Cassaday.
The Avengers: Earth’s Mightiest Heroes Season 2 – Animated TV series about Iron Man, Thor, Hulk, Captain America and their superhero friends fighting evil.
- Schedule: 26 episodes starting on a Sunday in October at 10 AM Eastern and Pacific on Disney XD
- Based on a whole slew of Avengers and other comic books by Stan Lee, Jack Kirby and others, as well as The Kree-Skrull War by writer Roy Thomas, artist Neal Adams and others, and Secret Invasion by writer Brian Michael Bendis and artist Leinil Francis Yu, published by Marvel Comics. Plus there’s definitely inspiration taken from the Iron Man movies.
Green Lantern: The Animated Series Season 1 – CGI animated series about a sci-fi superhero with cosmically powered jewelry.
- Schedule: This was originally set to debut last week but now a preview is going to air this Fall, possibly in November, with the full 26-episode season to start in Spring 2012 on Cartoon Network.
- Based on countless Green Lantern comics but more specifically this summer’s Green Lantern movie and recent Green Lantern comic books and graphic novels by writer Geoff Johns and others published by DC Comics.
The Adventures of Tintin: Secret of the Unicorn – CGI animated 3D feature film using performance capture technology. It’s about a plucky journalist and his dog going on a globe-trotting treasure hunt.
- Schedule: Opens in US movie theaters on Friday, December 23.
- Based on the international bestselling comic books Les Aventures de Tintin by the celebrated Belgian cartoonist Hergé. Tintin’s adventures have been translated into English as a series of graphic novels, most recently published by Little, Brown and Company. The movie specifically adapts The Secret of the Unicorn, as well as Red Rackham’s Treasure and The Crab with the Golden Claws.
Did I miss any? Let me know in the comments or email and I’ll add them in.
As a preview to their upcoming Comic Book Comics #5 by Fred Van Lente and Ryan Dunlavey, Evil Twin Comics has posted a 6-page excerpt titled “The Grabbers”. It does an excellent job encapsulating and presenting copyright law and how it has effected the history of comic books. The piece focuses on Superman, so this is a great prequel to that BBC Superman documentary where we see Superman’s creators Jerry Siegel and Joe Shuster a few years after the events depicted at the end of this comic.
The comic also covers the legal shenanigans involving Bob Kane (Batman co-creator), Bill Finger (Batman, Robin and Joker co-creator), Jerry Robinson (Robin and Joker co-creator), Joe Simon (Captain America co-creator), and Jack Kirby (co-creator of Captain America and half of the rest of the Marvel Comics superhero universe).
What’s amazing (and kind of sad) is that a lot of these legal battles are still being fought.