Want to try reading comics? Don’t know where to start? Want to try something different?
Wednesday is New Comics Day! Each week, The Comics Observer spotlights up to three (sometimes a little more on really good weeks) brand new releases worthy of your consideration. All of these have been carefully selected as best bets for someone who has never read comic books, graphic novels or manga before. They each highlight the variety and creativity being produced today. These are also great for those that haven’t read comics in awhile or regular readers looking to try something new.
While we can’t guarantee you’ll like what we’ve picked, we truly believe there’s a comic for everyone. If you like the images and descriptions below, click the links to see previews and learn more about them. You can often buy straight from the publishers or creators. If not, head over to your local comic book store, check out online retailers like Things From Another World and Amazon, or download a copy at comiXology, or the comics and graphic novels sections of the Kindle Store or NOOK store. Let us know what you think in the comments below or on Facebook.
(Please note these aren’t reviews. Recommendations are based on pre-release buzz, previews, and The Comics Observer‘s patented crystal ball. Product descriptions provided by publisher.)
When fugitive oil heir Chas Worthington settles the infamous Great Pacific Garbage Patch, plants a flag, and declares it his own sovereign nation, the reality of the environmental catastrophe is only the beginning of his odyssey.
From acclaimed writer Joe Harris (Ghost Projekt, Spontaneous) and artist Martin Morazzo (Absolute Magnitude) comes a sprawling adventure across earth’s newest, strangest frontier!
This volume collects the first arc of this breakout hit series – a sprawling adventure across earth’s newest, strangest frontier!
Peter Bagge’s one-offs, with an all-star cast of cartoonist collaborators such as Alan Moore, Robert Crumb, Daniel Clowes, and Adrian Tomine.
During the 1990s and 2000s, Peter Bagge worked mostly on his “Buddy Bradley” stories in Hate and a series of standalone graphic novels (Apocalypse Nerd), but in-between these major projects this ever-energetic cartoonist also cranked out dozens of shorter stories, which are now finally being collected in this riotously anarchic book.
Peter Bagge’s Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl “Lovey” and the aging bobo “Shut-Ins” — not to mention the self-explanatory “Rock ‘N’ Roll Dad” starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like “So Much Comedy, So Little Time” (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien!
Other Stuff also includes a series of Bagge-written stories drawn by other cartoonists, including “Life in these United States” with Daniel Clowes, “Shamrock Squid” with Adrian Tomine, and the one-two parody punch of “Caffy” (with art by R. Crumb) and “Dildobert” (with art by Prison Pit’s Johnny Ryan)… plus a highlight of the book, the hilarious, literate and intricate exposé of “Kool-Aid Man” written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.)
Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest… 50 times over.
Set in the future, The Grey Museum is a galactic romp, following a small group of survivors as they fend with mystic beings, interstellar parasites and themselves. Everything here is decided by narcissistic gods and goddesses, disturbed spirits, and bored aliens. Our clueless captives are left to wander, meandering their way among ruins, souvenirs, and impossible trails, and the 300-year-old television station attempts to capture it all. The Greys, a cloned race of coffee-drinking pseudo-humanity, have created a machine to “contemplate” things from a distance and annihilate them by turning them into “Awht”. We experience death, rebirth and everything in between. The fate of all Earthly life is up to these eight hairy humans preserved in jelly, they just don’t know it yet.
Never read a graphic novel before? Haven’t read a comic book in years?
Here’s some brand new stuff that came out the week of September 30 that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.
Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.
The first and only illustrated biography of “The Man in Black”, Johnny Cash, the most famous country singer of all time.
Cash was a 17-time Grammy winner who sold more than 90 million albums in his lifetime and became an icon of American music in the 20th century. Graphic novelist Reinhard Kleist depicts Johnny Cash’s eventful life from his early sessions with Elvis Presley (1956), through the concert in Folsom Prison (1968), his spectacular comeback in the 1990s, and the final years before his death on September 12, 2003.
The author’s site has a preview (although the final lettering is missing). I love that image of Cash in the recording studio.
The innovative, dramatic graphic novel based on the life of the philosopher and mathematician Bertrand Russell.
This brilliantly illustrated tale of reason, insanity, love and truth recounts the story of Bertrand Russell’s life. Raised by his paternal grandparents, young Russell was never told the whereabouts of his parents. Driven by a desire for knowledge of his own history, he attempted to force the world to yield to his yearnings: for truth, clarity and resolve.
As he grew older, and increasingly sophisticated as a philosopher and mathematician, Russell strove to create an objective language with which to describe the world – one free of the biases and slippages of the written word. At the same time, he began courting his first wife, teasing her with riddles and leaning on her during the darker days, when his quest was bogged down by paradoxes, frustrations and the ghosts of his family’s secrets. Ultimately, he found considerable success – but his career was stalled when he was outmatched by an intellectual rival: his young, strident, brilliantly original student, Ludwig Wittgenstein.
An insightful and complexly layered narrative, Logicomix reveals both Russell’s inner struggle and the quest for the foundations of logic. Narration by an older, wiser Russell, as well as asides from the author himself, make sense of the story’s heady and powerful ideas. At its heart, Logicomix is a story about the conflict between pure reason and the persistent flaws of reality, a narrative populated by great and august thinkers, young lovers, ghosts and insanity.
The Amazon.com link above has previews and the Bloomsbury link above has three-part making-of video series on YouTube, but there’s also an excellent website at Logicomix.com with behind-the-scenes info, a preview trailer and lots of other info. This debuted at #1 on the New York Times Best Seller List and is getting excellent reviews.
Mickey Mouse & Friends #296 – $2.99
By Stefano Ambrosio & Lorenzo Pastrovicchio
32 pages; published by Boom! Kids
First BOOM! Kids issue! One of the longest-lived, most-successful comic book series in the industry’s history comes to BOOM! and brings a little magic — presenting Wizards of Mickey! Student of the great wizard Grandalf, Mickey Mouse hails from the humble village of Miceland. Allying himself with Donald Duck (who has a pet dragon named Fafnir) and team mate Goofy, Mickey’s come to the great tournament to get his revenge on Peg Leg Pete, who has stolen the Rain Crystal from Miceland! Join Mickey Mouse and his friends on an epic tale of magic and wonder! Join BOOM! Kids for a whole new epoch in Disney publishing!
Disney comic books have been missing from the market place for about a year now. This is an imported story, which has been a pretty standard practice for previous publishers of Disney comics. It was originally done in Italy but from the looks of this preview, the translation holds up pretty nicely.
The first winner of Zuda Comics’ monthly online competition, HIGH MOON is a horror adventure of cowboys and werewolves in the Old West. HIGH MOON begins with a gruff bounty hunter, Matthew Macgregor, investigating a series of strange happenings in the dusty town of Blest, Texas. While Macgregor seeks to uncover the town’s dark secrets, he tries desperately to keep his own hidden.
The horrors of Blest ripple out to the mountainous town of Ragged Rock, Oklahoma, where another detective investigates a series of murders following a bizarre train robbery. Uncovering an age-old vendetta, this mysterious lawman is forced to do battle with a steam-driven monstrosity.
Macgregor’s tale concludes as a young woman’s dire call for assistance leads him through the Black Hills of South Dakota and into devastating battle between two warring factions. Macgregor must face down the United States government – only to discover a secret ritual that spells the destruction of the American frontier.
It’s such a relief when someone you personally know releases something, and you can be genuinely complimentary of what they’ve produced. While David Gallaher and I have “virtually” known each other for years, I’m happy to say that his web-comic holds up nicely as a thrilling horror/western mash-up. You can read it for yourself right here. And then there’s this production blog for good behind-the-scenes goodies.
A crime fighter is genetically engineered to be a super-hero – but when the test goes awry and he doesn’t have the super-hero qualities needed, he has to be teamed up with a former CIA agent who is the brains behind the duo. One gets all the glory while one has all the power.
I’ve always thought that it was a bit weird that every super-hero just instantly has what it takes, mentally and emotionally, to actually be a superhero. I guess I’m not alone. Probably not one for the kiddies.
The Dynamite link above has a 9-page preview so you have a better idea of just what you’re getting into by entering one of Howard Chaykin’s worlds.
Prison Pit is an original graphic novel from the pen of Johnny Ryan, best known for his humor comic, Angry Youth Comix. Prison Pit represents a marked departure from AYC or his Blecky Yuckerella weekly comic strip, combining his love for WWE wrestling, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal showcase of violence, survival and revenge. Imagine a blend of old-fashioned role playing fantasy games like Dungeons & Dragons crossed with contemporary adult video games like Grand Theft Auto, filtered through Ryan’s sense of humor.
The book begins with C.F. (his full-name would be too horrifying to reveal here) being thrown into the Prison Pit, a barren negative-zone populated by intergalactic, violent monster criminals. In this first volume, C.F. gets into a bloody slorge war (a slorge is a giant slug that excretes a steroid-like drug called “fecid” that all the monster men are addicted to) with ultraprisoner Rottweiler Herpes and his henchmen Rabies Bloodbath and Assrat. The ensuing bloodbath is an over-the-top, hyperviolent yet hilarious farce worthy of Ryan’s inspiration, Kentaro Miura.
If Howard Chaykin is too much for you, you’ll never be able to handle Johnny Ryan, who is maniacally funny in the absurdly over-the-top violence. Here’s a PDF file preview.
The world is dying. After most of the city succumbed to the plague, Welton’s staying inside — permanently. But hiding in his claustrophobic basement room — the only place he knows is safe — exacts a gruesome price, and he becomes part of a collective that’s killing children. Infected with the plague himself, with no way to find the woman he loves, Welton takes refuge in apathy — until someone knocks on his door.
Ball Peen Hammer gives us a window into life in a half-deserted apartment building in a time of raw love, sacrifice, fear, and death.
This one is a bit more serious but also not for the weak at heart. Here’s a 13-page preview.
Fathers, sons, and the war that comes between them.
There’s nothing Josh, Cody, and Gordon want more than their fathers home safely from the war in Iraq — unless it’s to get out of their dead-end town. Refresh, Refresh is the story of three teenagers on the cusp of high school graduation and their struggle to make hard decisions with no role models to follow; to discover the possibilities for the future when all the doors are slamming in their faces; and to believe their fathers will come home alive so they can be boys again.
The above says enough to get me hooked. But for more, here’s an 11-page preview.
Trotsky was a hero to some, a ruthless demon to others. To Stalin, he was such a threat that he warranted murder by pickax. This polarizing figure set up a world conflict that lasted through the twentieth century, and in Trotsky: A Graphic Biography, the renowned comic artist Rick Geary uses his distinct style to depict the stark reality of the man and his times. Trotsky’s life becomes a guide to the creation of the Soviet Union, the horrors of World War I, and the establishment of international communism as he, Lenin, and their fellow Bolsheviks rise from persecution and a life underground to the height of political power. Ranging from his boyhood in the Ukraine to his fallout with Stalin and his moonlight romance with Frida Kahlo, Trotsky is a stunning look at one of the twentieth century’s most important thinkers and the far-reaching political trends that he launched.
Rick Geary does excellent work. Unfortunately I can’t find a preview but just imagine looking at something really impressive that compels you to buy it.
Now in its fourth year, Best American Comics showcases the work of both established and up-and-coming contributers. Editor Charles Burns—cartoonist, illustrator, and official cover artist of the Believer—has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the web to create this cutting-edge collection. Featuring the work of such luminaries as Chris Ware, KAZ, and Robert Crumb, this volume is “a genuine salute to comics” (Houston Chronicle).
This is a highly acclaimed yearly anthology that provides a great sampling of the depth and art of comics. Here’s the book’s official site which has more information.
From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before.
Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.
Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.”
As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses.
A surprisingly reverential and straight adaptation from one of comics’ most influential humorists. Here’s a preview of chapter 19.
Pretty big week for comics. Lots of good stuff to check out.
Never read a graphic novel before? Haven’t read a comic book in years?
Here’s some brand new stuff coming out this week that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.
Disclaimer: While it may seem like it, I do not live in the future. For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.
This gripping tale of urban horror follows the lives of five lonely tenants — strangers — whose lives become intertwined when they discover a dark mark scrawled on the walls of their building. The horror sprouts quite innocently from a small seed and finds life as something otherworldly, damaged, full of love, hate, fear, and power. As the walls come alive, everyone is slowly driven mad — defenseless against the evil in the building, stripped of free will, leaving only confusion, chaos, and eventual death.
Originally self-published as a two-volume book, this groundbreaking work receives a deluxe presentation in a hardcover edition with a sketchbook section.
* The 2008 Eisner Award-winning team for Best Anthology — Gabriel Bá (The Umbrella Academy), Becky Cloonan (American Virgin), Vasilis Lolos (The Last Call), and Fábio Moon (Sugarshock) — return with their latest collaboration, Pixu: The Mark of Evil.
“The story telling here is beautiful, creating a real sense of dread and supernatural menace. Smart, subtle and genuinely disturbing.” -Mike Mignola, creator of Hellboy
A very generous 17-page preview for you. I met Becky Cloonan last year during Comic-Con for my Barbie photo-blog. She’s already incredibly talented, so there’s really no need to be that cool. I wish someone would set her straight. Anyway, this a creepy thing filled with psychological horror.
AT LAST! “The webcomic to end all webcomics” has landed at Dark Horse, and we’re starting the collections at the beginning! Sinfest is one of the most-read and longest-running webcomics out there, and explores religion, advertising, sex, and politics in a way fleen.com calls “both brutally funny and devastatingly on-target.” In an era when most syndicated newspaper strips are watered down and uninspired, creator Tatsuya Ishida draws on influences ranging fromCalvin and Hobbes and Peanuts to manga and pop culture to bring us a breath of fresh air. If your comic-strip craving hasn’t been satisfied since the nineties, deliverance is finally at hand.
* The first volume of Sinfest collects the first six hundred Sinfest strips, introducing the full cast of characters and the opening installments of Ninja Theatre, beat poetry, calligraphy lessons, and the irresistible Pooch & Percival strips.
* Web traffic on Sinfest.net averages 1.7 million unique visitors per month and 300,000 page hits per day.
* “After seven years and counting, Tatsuya Ishida shows every indication of maturing into a cartoonist on the level of Bill Watterson and Walt Kelly.” -The Comics Journal, “50 Excellent Comics from 2007″
* “The best webcomic out there.” -comicsworthreading.com
* ” . . . Sinfest offers many laughs; it may be brutally funny, but it is dead honest and refreshing.” -Publisher’s Weekly
Running since January 17, 2000, the Sinfest webcomic launched and has been running daily ever since. That’s a pretty impressive run. You can go sample the entire run right there at Sinfest.net, so who cares how I describe it? Go check it out!
“Lemire handles the stuff of a Willa Cather novel with equal poetry . . . He renders emotion and temperment in a cartoon face with breathtaking, masterful economy.”
— Booklist on The Essex County Trilogy
The tiny, isolated fishing village of Large Mouth never saw much excitement — until the arrival of the stranger, that is. Wrapped from head to toe in bandages and wearing weird goggles, he quietly took up residence in the sleepy town’s motel. Driven by curiosity, the townfolk quickly learn the tragic story of his past, and of the terrible accident that left him horribly disfigured. Eventually, the town embraces the stranger as one of their own — but do his bandages hide more than just scars?
Inspired by H.G. Wells’ The Invisible Man, THE NOBODY explores themes of identity, fear and paranoia in a small community from up-and-coming alternative comics creator and Xeric Award-winner Jeff Lemire (The Essex County Trilogy) in a special two-color story that’ll have you guessing until the very end.
I’m really wanting this. I could post a preview, but I’ll do y0u one better because you deserve it. Here’s a teaser trailer of The Nobody:
North 40 #1 – $2.99
By Aaron Williams & Fiona Staples
32 pages; published by DC Comics’ WildStorm
Somewhere in Midwestern America was a place called Conover County. When the old book was opened, and the runes therein used in haste and ignorance, a place of farms, simple folk, and small-town dreams became a den of monsters and nightmare. NORTH 40 is the story of those who survived and came to confront an even greater evil on the horizon – one that wouldn’t just consume their flesh, but their souls as well. Heroes arise with power to bring against the dark: Wyatt, an unwilling protector of his former tormentors; Amanda, an apprentice to forgotten arts; and Sheriff Morgan, whose bonds with Conover County go back farther than even he can remember. See where it started, and watch where it’s all going in NORTH 40 #1.
Created by Aaron Williams (PS238, The Nodwick Chronicles) and Fiona Staples (SECRET HISTORY OF THE AUTHORITY: HAWKSMOOR).
I like the visuals on the cover. Here’s a 3-page preview. Crazy horror monster attacks middle America.
Wednesday Comics #1 – $3.99
16 pages; published by DC Comics
In July, DC Comics gives a fresh twist to a grand comics tradition with WEDNESDAY COMICS, a new, weekly 12-issue series by some of the greatest names in comics today!
WEDNESDAY COMICS is unique in modern comics history: Reinventing the classic weekly newspaper comics section, it is a 16-page weekly that unfolds to a sprawling 28″ x 20″ tabloid-sized reading experience bursting with mind-blowing color, action and excitement, with each feature on its own 14″ x 20″ page.
Spearheaded by DCU Editorial Art Director Mark Chiarello, whose past editing credits include BATMAN BLACK and WHITE, DC: THE NEW FRONTIER and SOLO, each page of WEDNESDAY COMICS spotlights the continuing adventures of DC heroes, including:
• BATMAN, WEDNESDAY COMICS’ weekly cover feature, by the Eisner Award-winning 100 BULLETS team of writer Brian Azzarello and artist Eduardo Risso
• ADAM STRANGE, by writer/artist Paul Pope (BATMAN: YEAR 100)
• METAMORPHO, written by New York Times best-selling writer Neil Gaiman with Art by Eisner Award-winner Michael Allred (Madman)
• THE DEMON AND CATWOMAN, written by Walter Simonson (Thor, MANHUNTER) with Art by famed DC cover artist Brian Stelfreeze
• DEADMAN, written by Dave Bullock and Vinton Heuck, Art by Dave Bullock
• KAMANDI, written by Dave Gibbons (WATCHMEN, GREEN LANTERN CORPS) with Art by Ryan Sook (Buffy The Vampire Slayer, ARKHAM ASYLUM: LIVING HELL)
• SUPERMAN, written by John Arcudi (The Mask) with Art by Lee Bermejo (JOKER)
• WONDER WOMAN, written and illustrated by Ben Caldwell (Dare Detectives)
• GREEN LANTERN, written by Kurt Busiek (TRINITY, ASTRO CITY) with Art by Joe Quiñones (TEEN TITANS GO!)
• TEEN TITANS, written by Eddie Berganza with Art by Sean Galloway
• SUPERGIRL, written by Jimmy Palmiotti (JONAH HEX) with Art by Amanda Conner (POWER GIRL)
• HAWKMAN, written and illustrated by Kyle Baker (PLASTIC MAN, Special Forces)
• SGT. ROCK, written by Adam Kubert (SUPERMAN: LAST SON), ilustrated by legendary comics artist Joe Kubert
• THE FLASH, written by Karl Kerschl (TEEN TITANS YEAR ONE, THE FLASH: THE FASTEST MAN ALIVE) and Brenden Fletcher, illustrated by Karl Kerschl
• METAL MEN, written by Dan DiDio with Art by Ian Churchill (SUPERGIRL)
WEDNESDAY COMICS will arrive in stores folded twice to 7″ x 10″, with the first issue set to reach stores on July 8.
Another exciting release from DC Comics. In the early 1900′s, one comic strip would take up an entire page, instead of the compartmentalized square inches of today. Strips like Winsor McKay’s Little Nemo had an entire newspaper sheet to stretch out and experiment, still even larger than modern comic books. That expanded canvass returns here in a bit of an experimental format, which is always risky with habit-entrenched comic readers. Some huge talent has been brought in to work on these stories, all guaranteed to be completely accessible superhero adventures. Seriously, this is more like it. The only stumbling block is the price but hopefully you and others will be taken by the novelty of experiencing comics like this for the first time in decades. Heck, USA Today is excited by it, and if they like it…!
Fans of Peter Bagge’s generation-defining, satirical fiction may not realize this, but the cartoonist doubles as an opinionated cuss, and has been contributing provocative (but still hilarious) comic-strip opinion pieces to Reason magazine for the last several years… finally collected in this volume.
Although a libertarian by inclination (hence the Reason gig), Bagge (who lives in the fuzzy-headed, liberal capital of the Northwest, Seattle) is hardly dogmatic, and many of the pieces undermine traditional party lines in favor of a rather personal, rational and informed take on hot-button issues that will force partisan Democrats and Republicans alike to rethink them. And of course, Bagge’s well-researched comic strip “essays” crackle with the same energy and wit that propelled him into the collective Gen X consciousness with his comic book series Hate.
Favorite topics include the erosion of our civil liberties (whether the post-9/11 Bush administration’s gradual erosion of the Bill of Rights, the insanity of the war on drugs, or nanny-state meddling), ongoing boondoggles of the American public (for professional sports stadiums or ineffective public transportation systems), the Iraq war (Bagge is vociferously against it), so-called art and so-called entertainment, the homeless, the mall-ification of America, politicians both in general and in particular (including the 2008 presidential race and a revelatory one-on-one with Republican not-so-hopeful Ron Paul that soured Bagge on the candidate forever), the conservative/religious war on sex and drugs, and whether citizens should be allowed to own bazookas. Each piece features the voluble Bagge himself front and center as the puzzled, indignant, or deeply conflicted everyman-on-the-street trying to make sense of this 21st Century.
And of course, every panel is delineated in Bagge’s glorious, laugh-out-loud stretchy 4-color cartoon style, making even his disquisitions on some very serious topics go down as smoothly as Buddy Bradley’s latest escapade.
“Like all good political cartoonists, Bagge can be cruel. But he’s also willing to skewer himself when he deserves it… as libertarian polemicists go, he’s a lot more fun than, say, Ayn Rand.” – The Washington Post
I don’t always agree with his position, but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile. I remember the Ron Paul incident, which even got a little bit of mainstream(-ish) press right in the middle of the Presidential debates. Here’s a 12-page preview.
His parents dead, Dwayne Taylor — a.k.a. Night Thrasher — set out to create a new family for himself and ended up with the premier super-team of the 1990s! Marvel Boy and Firestar! Namorita and Nova! Speedball! All they want to do is change the world! Decide for yourself how well they managed it in their trials by fire against Terrax and the Juggernaut! Also featuring anti-heroes Star-Thief and Psionex! Guest-starring Thor and the Inhumans! Collecting NEW WARRIORS #1-6 and THOR #411-412.
Look, this is my website, and I’ll recommend whatever I want! OK, look I’m not immune to nostalgia. This is the first superhero comic I was seriously devoted to and it really opened up my love for comics. This isn’t the series at its peak, but here is where it all started. At 14 years old, I was thrilled by these stories, mostly because it was like a Saturday morning cartoon with the most personal and realistic characterization I had encountered up to that point. These were kids my age or a bit older with “real” problems like divorcing or abusive parents, awkward crushes, and a still-developing sense of self. And then they used their cool powers to go on fun adventures, so it wasn’t entirely consumed by teen angst. I was hooked. For years. Heck, I still am.
The triumphant return of one of comics’ greatest talents, with an engrossing story of one man’s search for love, meaning, sanity, and perfect architectural proportions. An epic story long awaited, and well worth the wait.
Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about?
As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.
In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.
Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.
This is another huge release. Maybe the biggest one here (after New Warriors Classic of course). David Mazzucchelli is a great talent whose releases are criminally few and far between. Superhero fans know him from his collaboration with Frank Miller, Batman: Year One, but that doesn’t matter next to this.
This is a great week for comics. Almost something for everyone: horror, humor, heroes. Plenty to choose from! As it should be. Enjoy!