Want to try reading comics? Don’t know where to start? Want to try something different?
Wednesday is New Comics Day! Each week, The Comics Observer spotlights up to three (sometimes a little more on really good weeks) brand new releases worthy of your consideration. All of these have been carefully selected as best bets for someone who has never read comic books, graphic novels or manga before. They each highlight the variety and creativity being produced today. These are also great for those that haven’t read comics in awhile or regular readers looking to try something new.
While we can’t guarantee you’ll like what we’ve picked, we truly believe there’s a comic for everyone. If you like the images and descriptions below, click the links to see previews and learn more about them. You can often buy straight from the publishers or creators. If not, head over to your local comic book store, check out online retailers like Things From Another World and Amazon, or download a copy at comiXology, or the comics and graphic novels sections of the Kindle Store or NOOK store. Let us know what you think in the comments below or on Facebook.
(Please note these aren’t reviews. Recommendations are based on pre-release buzz, previews, and The Comics Observer‘s patented crystal ball. Product descriptions provided by publisher.)
When fugitive oil heir Chas Worthington settles the infamous Great Pacific Garbage Patch, plants a flag, and declares it his own sovereign nation, the reality of the environmental catastrophe is only the beginning of his odyssey.
From acclaimed writer Joe Harris (Ghost Projekt, Spontaneous) and artist Martin Morazzo (Absolute Magnitude) comes a sprawling adventure across earth’s newest, strangest frontier!
This volume collects the first arc of this breakout hit series – a sprawling adventure across earth’s newest, strangest frontier!
Peter Bagge’s one-offs, with an all-star cast of cartoonist collaborators such as Alan Moore, Robert Crumb, Daniel Clowes, and Adrian Tomine.
During the 1990s and 2000s, Peter Bagge worked mostly on his “Buddy Bradley” stories in Hate and a series of standalone graphic novels (Apocalypse Nerd), but in-between these major projects this ever-energetic cartoonist also cranked out dozens of shorter stories, which are now finally being collected in this riotously anarchic book.
Peter Bagge’s Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl “Lovey” and the aging bobo “Shut-Ins” — not to mention the self-explanatory “Rock ‘N’ Roll Dad” starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like “So Much Comedy, So Little Time” (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien!
Other Stuff also includes a series of Bagge-written stories drawn by other cartoonists, including “Life in these United States” with Daniel Clowes, “Shamrock Squid” with Adrian Tomine, and the one-two parody punch of “Caffy” (with art by R. Crumb) and “Dildobert” (with art by Prison Pit’s Johnny Ryan)… plus a highlight of the book, the hilarious, literate and intricate exposé of “Kool-Aid Man” written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.)
Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest… 50 times over.
Set in the future, The Grey Museum is a galactic romp, following a small group of survivors as they fend with mystic beings, interstellar parasites and themselves. Everything here is decided by narcissistic gods and goddesses, disturbed spirits, and bored aliens. Our clueless captives are left to wander, meandering their way among ruins, souvenirs, and impossible trails, and the 300-year-old television station attempts to capture it all. The Greys, a cloned race of coffee-drinking pseudo-humanity, have created a machine to “contemplate” things from a distance and annihilate them by turning them into “Awht”. We experience death, rebirth and everything in between. The fate of all Earthly life is up to these eight hairy humans preserved in jelly, they just don’t know it yet.
A silly story about revenge starring a cowboy who’s actually a boy, a strange story (mixing prose with comics) of two sisters and the monster of jealousy, and literature’s greatest stories adapted into comics by some of the greatest artists.
Wednesday is New Comics Day! Each week, The Comics Observer picks three brand new releases worth checking out that should be suitable for someone who has never read comic books, graphic novels or manga before. These three books are out today!
If you like what you see here, click the links to see previews and learn more about them. Then head to your local comic book store, or check out online retailers like Things From Another World and Amazon. Let us know what you think in the comments below or on Facebook.
“Justice ain’t got no age.”
Nate Cosby (Pigs, Jim Henson’s The Storyteller) and Chris Eliopoulos (Franklin Richards, Misery Loves Sherman) present Cow Boy, the story of a young bounty hunter determined to send his entire outlaw family to jail. He travels the Old West on a horse that ain’t his, and won’t stop ’til every one’a his kin’s in the clink.
Also in this volume:
Short stories by the likes of Roger Langridge (The Muppet Show Comic Book), Brian Clevinger & Scott Wegener (Atomic Robo), and Mike Maihack (Cleopatra in Space) & Colleen Coover (Jim Henson’s The Storyteller).
There’s a beast in all of us.
Every summer the trucks roll in, bringing the carnival and its infinite possibilities to town. This year Tessa and her younger sister Lulu are un-chaperoned and want to be first in line to experience the rides, the food… and the boys. Except this summer, jealousy will invade their relationship for the first time, setting in motion a course of events that can only end in tragedy, putting everyone’s love and friendship to the test.
Alternating chapters of prose and comics are interwoven in this extraordinary novel that will break your heart and crack it wide open at the same time.
The Graphic Canon, Volume 1: From the Epic of Gilgamesh to Shakespeare to Dangerous Liaisons
Written and illustrated by various
Edited by Russ Kick
Published by Seven Stories Press
The classic literary canon of Western civilization meets the comics artists, illustrators, and other artists who have remade reading in the last years of the twentieth century and the first decade of the twenty-first century in Russ Kick’s magisterial, full-color The Graphic Canon.
Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we’re treated to eye-popping renditions of the human race’s greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D’Arthur. Two of ancient Greece’s greatest plays are adapted — the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.
Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.
Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.
Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by Molly
And much, much more.
One of my favorite regular columns is the monthly Comics College by Chris Mautner at Robot 6, hosted by Comic Book Resources. Each entry is a great introductory overview of what’s best to read from the great comic book masters and why they are so good, making this a fantastic source for newcomers or people who’ve always wanted to expand their reading. It also covers their lesser known work and stuff that maybe should be avoided.
The great part of the column is that it is looking at masters from all over the art form of comics. It’s not just superhero creators, or just alternative comics creators. It’s both those, as well as manga, newspaper strips, underground comics, euro-comics, comics journalism and more.
This month’s subject is the Norwegian cartoonist simply known as Jason. This prolific creator tells funny genre mash-ups with a deadpan economy of dialogue and understated emotion with characters struggling over love and guilt. Next month, George Herriman will be featured. His classic comic strip Krazy Kat is among the most highly regarded in the history of comics.
The Comics College column debuted in August 2009 and has covered the following comics masters past and present (click on the link to be taken to the column):
- Los Bros. Hernandez (Love and Rockets)
- Jack Kirby (The Fantastic Four, Jack Kirby’s Fourth World)
- Osamu Tezuka (Astro Boy, Phoenix)
- R. Crumb (Zap Comix, Book of Genesis)
- Neil Gaiman (Sandman, Mr. Punch)
- Chris Ware (Jimmy Corrigan: The Smartest Kid on Earth, Acme Novelty Library)
- Lewis Trondheim (Dungeon, Little Nothings)
- Harvey Kurtzman (Mad Magazine, Frontline Combat)
- art spiegelman (Maus, In the Shadow of No Towers)
- Eddie Campbell (Alec: The Years Have Pants, The Fate of the Artist)
- Harvey Pekar (American Splendor, Our Cancer Year)
- Kim Deitch (The Boulevard of Broken Dreams, Shadowland)
- Kevin Huizenga (Ganges, Curses)
- Hergé (Tintin)
- Charles M. Schulz (Peanuts)
- John Stanley (Little Lulu, Melvin Monster)
- Seth (George Sprott: 1894-1975, Wimbledon Green, It’s A Good Life If You Don’t Weaken)
- Frank Miller (The Dark Knight Returns, Sin City)
- Joe Sacco (Safe Area Gorazde, Palestine)
- Jason (I Killed Adolf Hitler, Hey Wait…)
- George Herriman (Krazy Kat)
- Jack Cole (Plastic Man, Betsy and Me)
- Adrian Tomine (Summer Blonde, Scenes from an Impending Marriage)
- Grant Morrison (All-Star Superman, We3)
- Jessica Abel (La Perdida, Artbabe)
- Gabrielle Bell (Cecil and Jordan in New York, Lucky)
- Scott McCloud (Understanding Comics, Zot!)
- Charles Burns (Black Hole, Big Baby, X’ed Out)
- Jacques Tardi (It Was the War of the Trenches, West Coast Blues)
- Phoebe Gloeckner (A Child’s Life, The Diary of a Teenage Girl)
- Marjane Satrapi (Persepolis, Chicken with Plums)
- David B (Epileptic, Babel)
UPDATE: I’ll keep updating the list as new entries get posted.
Never read a graphic novel before? Haven’t read a comic book in years?
Here’s some brand new stuff that came out the week of September 30 that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.
Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.
The first and only illustrated biography of “The Man in Black”, Johnny Cash, the most famous country singer of all time.
Cash was a 17-time Grammy winner who sold more than 90 million albums in his lifetime and became an icon of American music in the 20th century. Graphic novelist Reinhard Kleist depicts Johnny Cash’s eventful life from his early sessions with Elvis Presley (1956), through the concert in Folsom Prison (1968), his spectacular comeback in the 1990s, and the final years before his death on September 12, 2003.
The author’s site has a preview (although the final lettering is missing). I love that image of Cash in the recording studio.
The innovative, dramatic graphic novel based on the life of the philosopher and mathematician Bertrand Russell.
This brilliantly illustrated tale of reason, insanity, love and truth recounts the story of Bertrand Russell’s life. Raised by his paternal grandparents, young Russell was never told the whereabouts of his parents. Driven by a desire for knowledge of his own history, he attempted to force the world to yield to his yearnings: for truth, clarity and resolve.
As he grew older, and increasingly sophisticated as a philosopher and mathematician, Russell strove to create an objective language with which to describe the world – one free of the biases and slippages of the written word. At the same time, he began courting his first wife, teasing her with riddles and leaning on her during the darker days, when his quest was bogged down by paradoxes, frustrations and the ghosts of his family’s secrets. Ultimately, he found considerable success – but his career was stalled when he was outmatched by an intellectual rival: his young, strident, brilliantly original student, Ludwig Wittgenstein.
An insightful and complexly layered narrative, Logicomix reveals both Russell’s inner struggle and the quest for the foundations of logic. Narration by an older, wiser Russell, as well as asides from the author himself, make sense of the story’s heady and powerful ideas. At its heart, Logicomix is a story about the conflict between pure reason and the persistent flaws of reality, a narrative populated by great and august thinkers, young lovers, ghosts and insanity.
The Amazon.com link above has previews and the Bloomsbury link above has three-part making-of video series on YouTube, but there’s also an excellent website at Logicomix.com with behind-the-scenes info, a preview trailer and lots of other info. This debuted at #1 on the New York Times Best Seller List and is getting excellent reviews.
Mickey Mouse & Friends #296 – $2.99
By Stefano Ambrosio & Lorenzo Pastrovicchio
32 pages; published by Boom! Kids
First BOOM! Kids issue! One of the longest-lived, most-successful comic book series in the industry’s history comes to BOOM! and brings a little magic — presenting Wizards of Mickey! Student of the great wizard Grandalf, Mickey Mouse hails from the humble village of Miceland. Allying himself with Donald Duck (who has a pet dragon named Fafnir) and team mate Goofy, Mickey’s come to the great tournament to get his revenge on Peg Leg Pete, who has stolen the Rain Crystal from Miceland! Join Mickey Mouse and his friends on an epic tale of magic and wonder! Join BOOM! Kids for a whole new epoch in Disney publishing!
Disney comic books have been missing from the market place for about a year now. This is an imported story, which has been a pretty standard practice for previous publishers of Disney comics. It was originally done in Italy but from the looks of this preview, the translation holds up pretty nicely.
The first winner of Zuda Comics’ monthly online competition, HIGH MOON is a horror adventure of cowboys and werewolves in the Old West. HIGH MOON begins with a gruff bounty hunter, Matthew Macgregor, investigating a series of strange happenings in the dusty town of Blest, Texas. While Macgregor seeks to uncover the town’s dark secrets, he tries desperately to keep his own hidden.
The horrors of Blest ripple out to the mountainous town of Ragged Rock, Oklahoma, where another detective investigates a series of murders following a bizarre train robbery. Uncovering an age-old vendetta, this mysterious lawman is forced to do battle with a steam-driven monstrosity.
Macgregor’s tale concludes as a young woman’s dire call for assistance leads him through the Black Hills of South Dakota and into devastating battle between two warring factions. Macgregor must face down the United States government – only to discover a secret ritual that spells the destruction of the American frontier.
It’s such a relief when someone you personally know releases something, and you can be genuinely complimentary of what they’ve produced. While David Gallaher and I have “virtually” known each other for years, I’m happy to say that his web-comic holds up nicely as a thrilling horror/western mash-up. You can read it for yourself right here. And then there’s this production blog for good behind-the-scenes goodies.
A crime fighter is genetically engineered to be a super-hero – but when the test goes awry and he doesn’t have the super-hero qualities needed, he has to be teamed up with a former CIA agent who is the brains behind the duo. One gets all the glory while one has all the power.
I’ve always thought that it was a bit weird that every super-hero just instantly has what it takes, mentally and emotionally, to actually be a superhero. I guess I’m not alone. Probably not one for the kiddies.
The Dynamite link above has a 9-page preview so you have a better idea of just what you’re getting into by entering one of Howard Chaykin’s worlds.
Prison Pit is an original graphic novel from the pen of Johnny Ryan, best known for his humor comic, Angry Youth Comix. Prison Pit represents a marked departure from AYC or his Blecky Yuckerella weekly comic strip, combining his love for WWE wrestling, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal showcase of violence, survival and revenge. Imagine a blend of old-fashioned role playing fantasy games like Dungeons & Dragons crossed with contemporary adult video games like Grand Theft Auto, filtered through Ryan’s sense of humor.
The book begins with C.F. (his full-name would be too horrifying to reveal here) being thrown into the Prison Pit, a barren negative-zone populated by intergalactic, violent monster criminals. In this first volume, C.F. gets into a bloody slorge war (a slorge is a giant slug that excretes a steroid-like drug called “fecid” that all the monster men are addicted to) with ultraprisoner Rottweiler Herpes and his henchmen Rabies Bloodbath and Assrat. The ensuing bloodbath is an over-the-top, hyperviolent yet hilarious farce worthy of Ryan’s inspiration, Kentaro Miura.
If Howard Chaykin is too much for you, you’ll never be able to handle Johnny Ryan, who is maniacally funny in the absurdly over-the-top violence. Here’s a PDF file preview.
The world is dying. After most of the city succumbed to the plague, Welton’s staying inside — permanently. But hiding in his claustrophobic basement room — the only place he knows is safe — exacts a gruesome price, and he becomes part of a collective that’s killing children. Infected with the plague himself, with no way to find the woman he loves, Welton takes refuge in apathy — until someone knocks on his door.
Ball Peen Hammer gives us a window into life in a half-deserted apartment building in a time of raw love, sacrifice, fear, and death.
This one is a bit more serious but also not for the weak at heart. Here’s a 13-page preview.
Fathers, sons, and the war that comes between them.
There’s nothing Josh, Cody, and Gordon want more than their fathers home safely from the war in Iraq — unless it’s to get out of their dead-end town. Refresh, Refresh is the story of three teenagers on the cusp of high school graduation and their struggle to make hard decisions with no role models to follow; to discover the possibilities for the future when all the doors are slamming in their faces; and to believe their fathers will come home alive so they can be boys again.
The above says enough to get me hooked. But for more, here’s an 11-page preview.
Trotsky was a hero to some, a ruthless demon to others. To Stalin, he was such a threat that he warranted murder by pickax. This polarizing figure set up a world conflict that lasted through the twentieth century, and in Trotsky: A Graphic Biography, the renowned comic artist Rick Geary uses his distinct style to depict the stark reality of the man and his times. Trotsky’s life becomes a guide to the creation of the Soviet Union, the horrors of World War I, and the establishment of international communism as he, Lenin, and their fellow Bolsheviks rise from persecution and a life underground to the height of political power. Ranging from his boyhood in the Ukraine to his fallout with Stalin and his moonlight romance with Frida Kahlo, Trotsky is a stunning look at one of the twentieth century’s most important thinkers and the far-reaching political trends that he launched.
Rick Geary does excellent work. Unfortunately I can’t find a preview but just imagine looking at something really impressive that compels you to buy it.
Now in its fourth year, Best American Comics showcases the work of both established and up-and-coming contributers. Editor Charles Burns—cartoonist, illustrator, and official cover artist of the Believer—has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the web to create this cutting-edge collection. Featuring the work of such luminaries as Chris Ware, KAZ, and Robert Crumb, this volume is “a genuine salute to comics” (Houston Chronicle).
This is a highly acclaimed yearly anthology that provides a great sampling of the depth and art of comics. Here’s the book’s official site which has more information.
From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before.
Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.
Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.”
As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses.
A surprisingly reverential and straight adaptation from one of comics’ most influential humorists. Here’s a preview of chapter 19.
Pretty big week for comics. Lots of good stuff to check out.
Never read a graphic novel before? Haven’t read a comic book in years?
Here’s some brand new stuff that came out last week that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.
Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.
Frankenstein’s Womb – $6.99
By Warren Ellis & Marek Oleksicki
48 pages; published by Avatar Press; available at Amazon.com
1816 was called “The Year Without A Summer.” In the weird darkness of that July’s volcanic winter, Mary Wolfestonecraft Godwin began writing Frankenstein on the shore of Lake Geneva in Switzerland. But that is not where Frankenstein began. It began a few months earlier when, en route through Germany to Switzerland, Mary, her future husband Percy Shelley, and her stepsister Clair Clairmont approached a strange castle. Castle Frankenstein, some one hundred years earlier, had been home to Johann Conrad Dippel, whose experiments included the independent invention of nitroglycerin, a distillation of the elixir of life – and the transfer of a live soul into an awful accretion of human body parts! Mary never spoke of having entered the real Castle Frankenstein, stark on its hilltop south of Darmstadt. But she did. And she was never the same again – because something was haunting that tower, and Mary met it there.
Fear, death, and alchemy – the modern age is created here, in lost moments in a ruined castle on a day never recorded. The newest addition to Warren Ellis’ Apparat line of original graphic novels has arrived! Following up the huge successes of Crecy and Aetheric Mechanics, Ellis turns his spark of mad genius to bring us a fantastical tale in this all-new original graphic novel illustrated in atmospheric perfection by newcomer Marek Oleksicki.
Warren Ellis is kind of disturbed. In this case, it should be a good thing. Here’s a preview.
“A perfect little book.” – Daniel Clowes
A wry fable concerning the production of an impressive secret weapon whose promise goes unfulfilled. Elegant, meticulous and concise in both word and drawing, Gauld’s signature style graces the pages of this silver-cover board book.
This 8.25 x 10.5 inch board book format is a bit unconventional but this looks too delightful to pass up. There are pictures of the book, interior pages, and other goodies to look at on Tom Gauld’s Flickr account. (I love the mock Google ads he does at the end.) You can also order this straight from the artist’s site, CabanonPress.com.
Abstract comics? Don’t all comics tell stories? How can a comic be abstract? Well, as it happens, beginning with the experiments of Saul Steinberg, through some of the more psychedelic creations of R. Crumb and Victor Moscoso, and with increasing frequency in recent years, cartoonists and other artists have played with the possibility of comics whose panels contain little to no representational imagery, and which tell no stories other than those that result from the transformation and interaction of shapes across the layout of a comic page. Reduced to the most basic elements of comics — the panel grid, brushstrokes, and sometimes colors — abstract comics highlight the formal mechanisms that underlie all comics, such as the graphic dynamism that leads the eye (and the mind) from panel to panel or the aesthetically rich interplay between sequentiality and page layout.
Abstract Comics, edited by Andrei Molotiu, an art historian as well as one of the best-known contemporary abstract-comic creators, is the first collection devoted to this budding genre. It gathers the best abstract comics so far created, including early experiments in the form by cartoonists primarily known for other types of comics, such as Gary Panter, Patrick McDonnell, or Lewis Trondheim, and pieces by little-known pioneers such as Benoit Joly, Bill Boichel and Jeff Zenick, as well as by recent creators who have devoted a good part of their output to perfecting the form, such as Ibn al Rabin, Billy Mavreas, Mark Staff Brandl, and many others. It also features first attempts, commissioned specifically for this anthology, by well-known cartoonists such as James Kochalka, J.R. Williams and Warren Craghead. Comprehensive in scope, Abstract Comics gathers work not only from North America, but also from France, Switzerland, Great Britain, Australia, and New Zealand, showing the rise in popularity of the genre to be a true international phenomenon. In the process, the anthology highlights the wide variety of approaches taken to the combination of abstraction and sequential art — approaches resulting in work that is not only graphically bold, but also often proves to be surprisingly humorous or emotionally disturbing.
Complete list of contributors (in order of appearance): R. Crumb, Victor Moscoso, Spyros Horemis, Jeff Zenick, Bill Shut, Patrick McDonnell, Mark Badger, Benoit Joly, Bill Boichel, Gary Panter, Damien Jay, Ibn al Rabin, Lewis Trondheim, Andy Bleck, Mark Staff Brandl, Andrei Molotiu, Anders Pearson, Derik Badman, Grant Thomas, Casey Camp, Henrik Rehr, James Kochalka, John Hankiewicz, Mike Getsiv, J.R. Williams, Blaise Larmee, Warren Craghead III, Janusz Jaworski, Richard Hahn, Geoff Grogan, Panayiotis Terzis, Mark Gonyea, Greg Shaw, Alexey Sokolin, Jason Overby, Bruno Schaub, Draw, Jason T. Miles, Elijah Brubaker, Noah Berlatsky, Tim Gaze, troylloyd, Billy Mavreas
Even more unconventional and on the more avant-garde side of things. More proof that comics are truly an art form. They can be just as weird, surreal, absurd, artistic, expressive and transcendent as any other medium. Fantagraphics has put up a Flickr slideshow of pages from the book. They also have a 20-page preview (PDF). I dare you to try this.
In 2045, as Islam has overrun Europe and the West openly shuns monotheism, the Vatican funded, CERN Laboratories ‘discover’ that time travel is possible. The Pope orders the creation of a private army, and led by a few handpicked Cardinals and the finest graduates of selected war colleges, they travel back in time to 312AD – the reign of the first Christian Emperor, Constantine. Upon arrival, conflicting agendas, ideological differences, and personal greed see grand plans unravel.
Pax Romana is the tale of 5,000 men sent on an impossible mission to change the past and save the future. At the end of the world, will they succeed, or will they fail? This politically driven sci-fi epic comes from the creator of the hit Nightly News! Collects the entire Pax Romana series with never-before-seen back matter!
“Back matter”? Ew, what’s that? Is it like back fat? No, back matter is a term that someone, I think Warren Ellis (the disturbed writer mentioned above), came up with to describe exclusive content semi-equivalent to DVD extras but for comic books. Anyway, this is significantly more conventional after Abstract Comics, so if you’re not into that, some time traveling sci-fi adventure is probably more your speed. Although Jonathan Hickman doesn’t usually take the easy way out. In fact, he might be a bit crazy, too. Fortunately crazy is pretty entertaining if you don’t have to live with it. Here’s a preview of the first four pages.
Kaleidoscope is a visual tour of the World of Mr Toast. No story, just a potpourri of comics, photographs, watercolors and paintings. Inside you will find humor and fun with Mr Toast and his pals, Joe the Egg, Shaky Bacon and Clem Lemon. Great for kids and adults of all ages.
This looks absolutely adorable and hilarious all at once. At the publisher’s link above, you’ll find some preview pages, and you’ll also be able to buy it for a few dollars less. So simple as to be brilliant.
Kind of a bizarre mix of comics this week, but I like it. I hope you find something you like, too!