At this point, it’s hard to argue against the notion that digital comics are inevitable. They’re the future. The near future. For many, they are already the present thanks to various legally dubious means. Just as the music industry had a difficult transition accepting the reality, so too are comics publishers. Over the last year, North American comics publishers have been taking a casual to slow walk toward maybe actually embracing the way it is now. And even with tepid experimentation, there has been tremendous growth during a tough year for the print side. Manga publishers from both the East and West have been criticized for being even more reluctant, and plenty argue that shrinking sales are due to readers heading to pirating sites that translate and upload manga years ahead of official North American releases.
Fortunately over the last half year, the feet dragging is coming to an end for Los Angeles manga publisher Tokyopop.
First came the legal action. In early June, Tokyopop joined the Japanese Digital Comics Association with over 30 other manga publishers, both in America and in Japan, to fight digital piracy. This bold move was initially met with frustration among readers who read illegally translated and distributed manga, due to a lack of legitimate digital alternatives. But what has followed since has been a strong move to create just that. Read the rest of this entry
Today, we look at comics publisher Archaia Comics. Originally set up as a banner for the self-publishing efforts of writer/artist Mark Smylie and his high fantasy series Artesia, it expanded into a full on publisher in the middle of this past decade, launching the anthropomorphic fantasy series Mouse Guard by David Petersen to much acclaim. More comics were announced until the young publisher seemed to become overwhelmed by its own plans, almost completely grinding production to a halt. It appeared as if Archaia was going to be another in a long line of comics publishers who have abruptly vanished. Then came news of the acquisition of Archaia by Chicago-based media company Kunoichi. For a time this didn’t seem to change anything, but then Archaia came back. In the past year, they have firmly landed on solid ground and proved themselves to be a dependable publisher of quality comics and graphic novels, with an eye to innovation in the digital comics space. Read the rest of this entry
You’d think that with their over $4 billion purchase of Marvel Entertainment a year ago this week, the Burbank-based Walt Disney Company would have brought things in-house for comics featuring Disney characters. Instead, Disney has licensed a small but highly acclaimed line of comics to Los Angeles comics publisher Boom! Studios over the last year plus. And with their Boom! Kids line, Boom! has helped resurrect the all-ages corner of the comic book industry, something that many feared was a lost cause. Not only is this good news for increasing variety, but it’s absolutely crucial in making sure that another generation doesn’t slip by without learning and internalizing the language of comics. Read the rest of this entry